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Spiritual Teachers: The Ojibway

Posted by Amanda Gray on November 30, 2011

(See Spiritual Teachers: Marc Baur for Part 1 of this series.)

On May 28, 2001, I moved from Vancouver to a small town in Ontario to live with my boyfriend.  We had lived together in Edmonton, before he moved to Ontario for work, and I moved to British Columbia to pursue my acting career.  Our relationship in Edmonton was marked with frequent and vicious arguments, but as we became a long distance couple, we became more loving and appreciative.  In our case, distance did make the heart grow fonder, yet eventually, we had to find out if we could survive in close quarters with each other again.  Would we get married?  Buy a house?  Have children?  Anything seemed possible.  Most importantly, we were both willing to try.

The kicker was that I had, unknowingly, developed a major clinical depression.  Although a small part of me hoped that true happiness was within the secure embrace of my boyfriend’s arms, my subconscious mind was trapped in a deep well of despair and – if you’d asked me then, I would’ve denied it – I really only wanted to close my eyes and sleep, like Sleeping Beauty, for a thousand years.  Stop the world, I’m getting off.  To disappear off the face of existence, that’s what I really wanted.

The most distinctive attribute of my depression was that it robbed me of energy.  Even a smile was a chore and required too much.  While I perfectly expected to sink into a lethargic pile of sludge on the futon for the rest of my days, life had other plans for me.  An opportunity arose for a ‘dream job’ as the reporter for the town newspaper.  I weighed the pros and cons, and against what may have been better judgement, I took the job.  Imagine the difficulty of attending every social event with a smile on my face, asking bright and brilliant questions like a fluttering butterfly, and putting together, at least, 5 fascinating and provocative articles every week, when I had little, or no, physical energy to do it.  It didn’t take long before I felt like I was becoming a farce.  A freaky fake that pasted on a smile when, just under the surface, not deep enough to be hidden from anyone with common sense, a grievous tornado of suffocation whirled.

I finally saw the doctor with a list of fifteen or twenty physical symptoms that I’d been experiencing.  He, very stupidly, told me that I needed to make some friends.  What did he think I was doing as the town reporter?  That day was the lowest point.  Contrary to my physical lethargy, my mind often raced, trying to figure out what I could do to fix my life.   But if the doctor couldn’t help me… maybe my life couldn’t be fixed… maybe I was better off dead.  As depressed and hopeless as I was, that wasn’t an option I’d seriously entertain.  So, like a zombie, I just kept putting one foot in front of the other.

That was when my reporting job offered me an opportunity to participate in an Ojibway pow-wow.  I met an aboriginal man named Marcel, who was one of the funniest, most energetically generous people I’d ever met.  The whole tribe was welcoming and gentle and they encouraged me and the attending group of high school students to dance in the pow-wow with them.  As a reporter, I was used to watching from the sidelines, and was comfortable with the chance to rest before I put my ‘smiley face’ back on, but something made me stow my camera under my chair, and join the dancing that day.  The drums pounded, the jingle dresses jingled, aboriginal voices sang loud enough to rumble the rain clouds in the sky.  My body moved, but I was disengaged, I felt nothing.  I was disappointed and confused by the experience.  Yet, it opened the door for another invitation from the Ojibway band.

I’d given my notice to quit at the newspaper, but there were still a few jobs I had to finish up.  First I had to interview Ra McGuire from the band Trooper and get an article into the paper before they played at the town street dance.  I’d always enjoyed their music and I was thrilled to talk to someone of his fame and stature.  Ra was generous and considerate, even when I made the mistake of attributing “Boys in the Bright White Sports Car” to them.  DOH!  I had just hung up the phone with Ra, feeling rather cock-sure of myself, when it rang again.  Marcel invited me to a sweat lodge.  Wow!  Another exiting experience!  Sure, OK!

I had no idea what a sweat lodge entailed, and I was very tempted to chicken out, but the new reporter, Shauna, had agreed to go with me, and her enthusiasm gave me an extra boost of courage.  Shauna and I met at a restaurant to have some wings before we drove out to the forest location.  While we ate, we chatted with the bartender, Dan, who had done a sweat lodge before, and he offered, what I later considered, to be a lifesaving tip: he advised that when the heat felt too intense, stay still.

I’ll quote from the article I wrote for the paper:

There were four men and four women and the sweat was to go four rounds.  Before we entered the small, round hut, I was given some instruction as to my conduct and what might be experienced.  The guide said I might feel some fear.  Since I’d never been afraid of the dark or ever had feelings of claustrophobia I immediately dismissed the idea.

Once we were all inside the lodge, hot stones, called Grandfathers, were brought in.  The ceremony began.  Sweet herbs were sprinkled on the stones, causing sparks and smoke as the burned.  Then the door to the lodge was closed and we were wrapped in complete darkness.  Water was brushed onto the Grandfathers and the temperature rose with the steam.  I began to sweat.

A song was sung, drums were pounded.  Then the first woman was invited to speak. In her native language, she spoke of her troubles.  She prayed to the Gods and Spirits to be strong and to bless her family and friends.  The others in the lodge listened and acknowledged her deepest revelations with short sounds of encouragement and understanding.  When finished, a second woman was invited to share her deepest thoughts, fears and prayers.

Another song was sung, more water was brushed onto the stones, and then the door to the lodge was opened.  A rush of fresh air was welcomed and so ended the first round.

I had experienced the first round with curious interest.  When the participants had spoken, I compared the sharing of feelings to an acting exercise I’d learned in a class once.  In the acting class I learned that when people unburden their feelings and know they’ve been heard, they feel great relief.

Two more Grandfathers were brought in, the lodge was sealed up, and so began round two.

Water was splashed; the heat rose.  Unexpectedly, I began to panic.  It was too hot.  I fidgeted madly.  What was this feeling?  I’d never felt fear like this before.  The lodge exit was all the way on the other side of the hot stones.  I considered that I’d have to run over people to get to the door and I tapped the woman next to me to alert her that something was wrong.  I couldn’t breath – I was afraid I was going to die.

The woman didn’t respond to my tapping.  No one was going to let me out!  Then I realized that my frantic fidgeting was drawing the cloying heat. I stilled myself and focused on breathing deeply.  My panic subsided.  I envisioned myself becoming one with the heat, drawing it into my lungs like a friend.  I willed my mind to be calm.  Sweat streamed profusely in narrow rivulets down my face and body.

What I didn’t put into my article was that, at the greatest point of panic, I left my body.  There was no light in the lodge, it was as black as coal, yet, suddenly I could see everything, as if glowing under a blue lamp.  I remembered Dan’s advice to stay still, and I watched my hand as I placed it firmly against the sandy floor.  I was calm.  I didn’t ‘will’ anything, I just became aware of my spiritual Self, and knew that I was safe, even if I died.

Oh, yes, and I forgot when I wrote the article… as a child, I had been afraid of the dark.  I slept with my blankets pulled tight around my neck every night so monsters couldn’t cut my head off.

Then it was my turn to share my thoughts.  First, I asked the Spirits for strength to get past my fear and my panic.  Then, like the three women before me, I shared my troubles and prayed for my relatives and friends.  I kept it short.  A song was sung, water was splashed, and the lodge door was opened.  I had survived round two.

I exited the lodge for a break.  Once I felt cool again, I returned.

As the time grew closer to the closing of the door, I began to question whether I could continue.  My fear was returning. I argued with myself.  Suddenly the lodge door was sealed and I panicked again.  I sat up and begged them to let me out.  What were these words coming out of my mouth?  Who was speaking?  Who was this coward?

Calmly, one of the men encouraged me to continue.  He advised me to think of the reasons I came to the sweat lodge and to pray for courage. I felt better and I lay on the floor where the heat was less savage.  For most of the round, while two men spoke and the songs were sung, I merely kept fear at bay. I remained still even as sweat ran into my eyes. I remember thinking of a grizzly bear, standing over me and then wrapping itself around me like a cloak.  It consoled me and its fur bristled against my skin.

When the fourth round finished, the lodge door was opened.  The steam was thick and the fire outside had burned low. My eyes couldn’t distinguish anything.  Then, slowly, as the fire was stoked and the steam cleared, my vision returned with astounding clarity.  The ceremony was ending with a final song and I felt infinitely connected to the solid earth, starry sky, and the flashing fire.  All the beauty of the universe struck me with a delirious thump.  I wept.

I don’t think the ‘beauty of the universe’ actually ‘struck me with a delirious thump’ (how poetic), I think I was just tremendously grateful to be getting the hell out of there!  The sweat lodge was my introduction to the spiritual realm.  I’d never prayed before, and certainly not out loud in front of a bunch of strangers.   I wasn’t sure any kind of God existed, let alone to refer to Him directly for assistance.  That was an entirely strange idea.

I’ll never know what made those Ojibway people invite my drowning, sorrowful soul to that spiritual gathering.  Did they somehow sense that I desperately needed their help?  That I needed a healing miracle of spirit?  Well, then they knew more than I did.  I had started to read some spiritual books, but it would still be a long time before I admitted that I needed to actively invite spirit into my life.

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Spiritual Teachers: Marc Baur

Posted by Amanda Gray on May 22, 2011

In the winter of 1999, I moved to Vancouver, British Columbia.  I was there to ‘get serious’ about my acting career.  It had been nine years since I’d completed a two year Musical Theatre Program and I had done very little performing in that time.  I decided that, in Vancouver, it was possible for an actor to make an actual living at their craft, even if it meant doing a lot of film extra work.  I considered extra work, somewhat, below my talent, but I was tired of taking random jobs to make a living, instead of doing what I really wanted to do, and did best.  So, after nine years of procrastination, I was finally ready to take my shot at the ‘big time’.

At this juncture, it’s important to note that I had almost no religious upbringing.  I went to church a few times as a child, but just enough to learn that I had a strong, innate, resistance to Christianity.  Rote rituals seemed entirely foolish to me.  Even basic Christian language, words like God, Jesus, or saviour, were intensely resisted.  I simply couldn’t trust people who claimed to know something about God because they read a book (the Bible).  Early on, I decided: since I didn’t know, myself, if there was a heaven or a hell, a God or a Devil, I would simply be good, to be on the safe side.  Still, I was never far away from the subject of spirituality in one way or another.  As a teen, I briefly explored Wicca and other occult teachings, but since they were equally focused on rituals, I quickly decided against them.  Spiritually speaking, I was drawn, most, and for a long period of time, to channelled material.  First, during my teen occult phase, to a book (that I – not such a ‘good’ girl at all – stole from a bookstore) about an entity contacted through a Ouija board, called Messages From Michael.  The material was far too esoteric for me at the time, but I eventually read it through, as well as the rest of the series by Chelsea Quinn Yarbro in my early 20’s.  Just previous to my move to Vancouver, I discovered the Kryon channelling.  I read the entire series and met the channel, Lee Carroll, twice in person.

So, there I was, spiritually fortified, and following my dream in heaven-on-Earth gorgeous, Vancouver, B.C.  The world was my oyster and I was the shiny pearl at it’s very heart!  I didn’t think I needed to learn anything further about acting, but a prospective talent agent encouraged me to take some classes.  Since my definitive objective was to work in the film industry, I conceded that some technique would help me shed my overly dramatic theatre style and make me more marketable.  I soon attended my first class in a small, run-down office building near West Broadway and Arbutus Street: the Marc Baur Studio.

On Wednesday, February 9, 2000, I wrote in my diary:

Went to Marc’s class.  It was a super experience. I did an exercise that was an important key for learning not to scatter my energies so much.  I learned that where I think I am is truly where I am, where acting is concerned.

What?  Oh dear.  I think I meant that I could believe that I was, indeed, a talented actor, and ready for a successful film career.

And, yes, I was successful.  I went to many auditions, got some unpaid independent film roles, and hung out frequently in the audience at the Vicki Gabereau show.  I also did a few paid gigs, as an extra, almost immediately, but it wasn’t consistent.  In order to have free day time for auditions, and a job to pay the bills, I worked a few night audit shifts every week at a colourful Granville gay hotel.  Within a few months, I procured fancy new resume shots, signed with a reputable talent agent, and I was thrilled that my career was going along, tickity-boo.

In October, I started a ‘Being Real’ class with Marc Baur.  On Wednesday the 18th, I write about the first class in my diary:

For 4 hours we did vulnerability exercises and, while it was exhausting, it was a terrific learning experience.  Marc had brought pumpkin pie and I had 3 slices!  After class, a bunch of us went out to a pub down the street and had wings, fries and gabbed.  I had a really good night!

Excellent.  Ah, but little did I know that I was headed for a big ‘Being Real’ crash’ola.  On October 25th, I wrote:

Class was ok.  I was too tired though.  I almost fell asleep during the first scene presented and then was way too nervous when I did my monologue.  I had a good ‘therapy’ session though.  I did an ‘I’m afraid that…’ exercise and cried a lot.  It was cathartic and felt really good to release.

November 1st was pivotal.  I wrote:

I really wanted to be lazy, but Marc said I should do a cold read scene with Bob.  Well, that turned out to be a major surprise.  All my life I’ve been missing the boat in my acting – all of the sudden, I got ON the boat!  I learned how to find the emotional backbone of a scene, first, before intellectualizing it.  BRILLIANT!  It was also easy, effortless and real.  I could trust it, moment to moment.

After class, Bob, Marco, Rick and Elizabeth and I went to Subeez for nachos and gabbed.  They helped me see some things about myself.  Cool.

I remember, specifically, at Subeez, Bob pointed out, “You’re looking for recognition.” 

The same night, around 3 am, as I sat down for a break at work, I considered it.  Why was I looking for recognition?  And, why was it, that no matter how much recognition I got, it was never enough?  I was always seeking for more, and more, and more.  Like an addict.  Did it have something to do with my childhood? Yes, I was always an attention hog as a kid, but inside, I felt acutely invisible.  In fact, I could still feel it.  It was like I had a huge hole inside me, and that, for all these years, I had been running around, trying to fill it with attention from others.  In a shocking epiphany that would completely re-direct my life, I realized that, even if I became wildly famous, no amount of attention would ever fill that gaping maw within.  No matter how many people said, “Amanda, you’re awesome and the whole world loves you,” if I couldn’t believe it myself, if I couldn’t love myself, it would be useless.

The ‘Being Real’ therapy exercises effectively pulled a lot of my crap out of hiding.  In an ‘I feel’ exercise, I learned how to be intimate and connect with another human being.  In an ‘I’m afraid’ exercise, I learned that there were deep feelings of unworthiness and rage that I could never entirely stuff behind an actor’s mask.  By interaction with Marc and my classmates, I learned that there were also real qualities within me – under all the shocking and embarrassing qualities that I would rather have ignored - qualities of light and beauty.   

My teacher, Marc Baur, may not have considered himself a ‘spiritual’ teacher.  At the time, I wouldn’t have described him that way.  Yet, Marc was exceptional in his ability to fully accept and embrace the wide variety of personalities in his care.  He saw through to something brighter and more profound in each student, even if the student didn’t recognize it in themselves.  I’m sure that as Marc has witnessed individuals developing greater personal and spiritual depth through his class exercises over the years, he can’t be immune to the greater implications.  Perhaps he now also perceives his role through a broader lens, as I do. 

I touched Grace through those acting exercises, but I wasn’t ready to fully receive Grace.  I was being asked for more than I could, then, have given.  Frankly, it scared me, shitless.  I continued with the class into the new year, but I had less and less energy for it. 

Eventually, I lost all energy for everything.  I was turning and turning, within a box in my mind that was squeezing, smaller and smaller, but I could find no way out.  Unbeknownst to me, a clinical depression was setting in.  I didn’t want to be an actor anymore.  All I wanted… was to disappear.

(See Spiritual Teachers: The Ojibway for Part 2 of this series.)

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