Anagram Day

Riddle The Self – Reveal The Self

Archive for June, 2011

Big Secrets and Professional Help

Posted by Amanda Gray on June 29, 2011

Yesterday, I went to a psychiatrist. I finally admitted to myself that I’m stuck, terrified, living, pretty much, like I’m dead, and that I need serious, professional help. The more I try to think about my life, the more the thoughts spin in predictable loops and result in further confusion, indecision, resistance and anxiety.

The psychiatrist, Pat, was nice enough. She warned me that she might say some things I wouldn’t like, and while I was sure that I wanted that, she did succeed in challenging me in a way I didn’t expect. I explained to her that I’m particularly frustrated in my work experience, and that I keep finding myself in jobs that press all my anxiety buttons and eventually lead to my resignation. I told her that I would prefer to stay unemployed at this time in order to figure out what I really want to do. She suggested that any job would be better than no job. I didn’t like that. Any job? Inflict my insanity upon poor, defenceless employers and co-workers? So far, I’ve been good at quitting with notice before any major disaster, but taking a job while I’m so stressed could easily lead to being fired. That wouldn’t be helpful. True, it isn’t necessary to project the past onto the future, but without a plan or a goal up front, before I act, just sets me up for the same old story. The cycle starts and ends with me. That’s where I’m willing and ready to address the problem. But to take any job… well, that’s what I’ve already done for 10 years and I’m confident that it’s not working for me or anyone else. More accurately, any job, I can take… a job – a LIFE – that I might want and care about… well, that’s why I need a psychiatrist. On the other hand, perhaps a solid ‘Suck it up, Princess,’ is more applicable than I’d prefer to admit.

Ah, now you see, this is why I shouldn’t think too much. I swing too wildly between extremes! My Course in Miracles lesson had good advice about that this morning: Lesson 4: This thought about _____ does not mean anything. It is like the things I see in this room, [on this street, out this window, etc.]. Whew. Ok. That helps.

Interestingly, the night before my psychiatrist appointment, I realized that there’s a deep ego need to get ‘the right answer’. So, in my session with Pat, I noticed that I kept making statements followed by asking her, “Right?” She was great; she never fell into the game. Is there ever a ‘right’ answer? Can another person, whatever their credentials or enlightenment, ever give the ‘right’ answer to me? Truly, a psychiatrist isn’t supposed to give answers, they’re supposed to help one find the answers for themselves.

Pat gave me an assignment that I didn’t like initially as well. She wants me to write an essay about who I am, right now. I balked, “Yeah, well, the short answer is that I don’t know.” She suggested that I might need to return to the dreams and desires I had in adolescence. Like my desire to get famous? Ha! That was a retarded motivation then, and it would be an even more retarded motivation now. Finally, I conceded that there were a few interests I developed more recently, and that I could write about. Yes, I can admit, while there may be deep holes in what I know about who I am right now, there are a few things I’m clear about. I see that the ego likes to make blanket statements like “I know” or “I don’t know,” keeping to extreme points of view, but it’s more balanced and reasonable to admit that I know some things and I don’t know other things.

So, I’ll write the essay. I’ll write from a stream of consciousness instead of thinking about it too much. Funny, I would never have imagined that a simple writing assignment could rattle me. I used to be so good at feeling the fear and doing it anyway! After all, in my teens, I skydived - not just once – but three times! I used to be fearless! I used to be enthusiastic and ALIVE! What’s happened to me???

This morning, I watched a highly inspiring TEDxSinCity video. It’s by a white South-African man, Bruce Muzik, who tells his big secret to the world – that he’s a racist. He says that it’s the secrets we hold onto that limit us, and that when we reveal our secrets, we release ourselves back to life, to ALIVEness. I agree with him, and I had to consider: Do I have any secrets? What would I still keep hidden from others? Is there something I’m still ashamed of?

Well… there is something that I was hoping to share with the psychiatrist yesterday, but she seemed more interested in staying firmly in the present. Perhaps that’s appropriate to her function – or for our first session, anyway. I’ve spoken about my big secret, in general terms, with my Mom and a few close friends, but I’m not sure I revealed the details that I’m most ashamed of. It’s also possible that writing about it won’t be enough, because it has to do with my mouth and speaking. Must I yet speak the details aloud?

Last week, it arose that I feared and felt ashamed about my ‘mistakes’ – mistakes I made in the past, as well as mistakes I fear to make in the future. I also saw that this was how I most commonly judged others, based on what I perceived to be their ‘mistakes’. It’s also related to the ‘looming disaster’ that I think will happen at work. What if I make a mistake that can’t be fixed, one that I’ll have to feel guilty about – forever? Yes, I have experience with that kind of mistake and that kind of guilt. There’s a particular mistake that comes to mind. One that I made when I was a child.

I’m getting a bit of a headache. Do I dare tell you? How do I put it delicately? Will you hate me? Will you be disgusted with me? Could you love and forgive me, even though I haven’t been able to love and forgive myself?

I was nine years old. It happened in the summer, between grades 6 and 7. My parents dropped me off to stay the weekend with a classmate, Joanne. Joanne had two older brothers who were about 16 and 17 years old, and, for whatever reason, Joanne and I were left alone in their custody. I’m sure there were adults around, at some point, but I don’t remember them.

The memories I did retain, and further memories that I recovered a few years ago, are jumbled. I don’t know the order of events, but I know that, at first, I was a willing participant. A child’s normal curiosity. A child’s normal innocence and trust. We played hide and seek. We played rock music and danced. They asked me questions and paid a lot of attention to me. I felt powerful and sexy.

I thought we were having fun. The enormity of my mistake became clear when I entered the boy’s basement bedroom and saw the younger boy sitting on the bed, holding a jack-knife, threateningly. He ordered me to take off my clothes. “No.” I answered defiantly, but a knot of fear twisted in my gut. Oops.

I was forced to give the older boy a blow job. I still feel the knife blade pressed up under my arm. “Don’t use your teeth,” the younger boy instructed. I still feel the pain in my jaw as I became tired and pulled away. “No, no, you can’t stop!” they insisted. I still remember the rancid smell of his crotch as I closed my eyes and submitted. I still remember my shock and surprise as he exploded in my mouth. They laughed as I spit out his spunk with disgust, “I didn’t know it would do that!” I complained. My chin was a sticky mess and they didn’t let me wash it off. It irritated and itched as it dried.

There were other tortures, far worse ones.  There was, at least, a whole day and a whole night of entertainments in their exclusive company. I’m sure that most are better left unremembered and untold. Yet, I’ve told you the ‘secret’. The secret of my dirty, disgusting mouth.

On the second day, the younger boy threatened me again, “Don’t you ever tell anyone about this!” I shook my head, crying, “No, I won’t. I won’t say anything.” I kept my promise to him. Even when he was charged with rape later the same year and my Mom asked if anything had happened while I was there. I said no. I lied to her. I kept my promise to him, though, through my whole life, particularly in ways that couldn’t be anticipated. Perhaps it’s why I’ve always preferred to write about myself instead of speaking aloud. It’s also perhaps why I’m particularly inarticulate if I’m asked to defend myself. My facial expression is often tight-lipped, and I’ve recently developed a relentless circle of acne around my mouth – a constant reminder of my ‘dirty’ face. Also recently, I discovered that I’m allergic to dairy. Hmmm… yes, milk, yoghurt and cheese are similar to the consistency of spunk. Dairy, as a symbol, isn’t lost on me either: denial of pleasure (dairy is a pleasure food), denial of nurturing (mother’s milk), and, by extension, denial of self-love.

If I was subconsciously keeping the promise I made that day, you might very well ask how I performed as an actress and spoke before large audiences on a regular basis. Yes, well, I was always fine if I was playing a part or speaking from a script. Speaking for myself – no, that was my limitation. As much as I was subconsciously compelled to keep silent, I was also compelled by the opposite extreme, to be heard. Also, I had repressed the trauma throughout those years. My more recent commitment to the Self and its full realization brought those memories to the surface, along with the concomitant fear, guilt, shame, hurt, and various bizarre physical maladies, in order to be expressed, accepted, forgiven and released. It sucks, but that’s how it works. When it’s at the worst, I remember that it’s what I knowingly signed up for, and I’m grateful to finally shed it.  It has no control when it’s in the open.  It has ALL control when it’s kept hidden.

My grade 6 class photo is of a thin, beautiful, sparkling eyed, and broadly beaming girl. In grade 7, she’s fat, with reddish cheeks, and a tight, closed mouth. The light has gone out of her eyes. I found a diary entry from that time that could be related: “The more I think about you-know-what, the more I hate myself.” A lifelong suffering of migraine headaches, including sensitivity to light, nausea and vomiting, began around the same time. My regular punishment and crucifixion, inflicted by subconscious guilt and self-hatred.

So that’s it. That’s my biggest, most shameful secret. Was it helpful to reveal it? Well, my body is now warm with kundalini energy, and I feel somewhat relieved. My forehead and neck still feel a bit tight, but not painful. It wasn’t so bad to tell. In writing, anyway.

________________________________________________________________

If you find this website helpful,
please donate to support my work.

Donate

Free Shipping at chapters.indigo.ca

Posted in Spiritual Practice | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments »

The Truth in Dribs and Drabs

Posted by Amanda Gray on June 12, 2011

I have been so deceived. And what a mighty deception it has been. Truly, a whopper. I honestly thought I was here in the world to do something. I had successfully turned away from the illusion that I was here to buy something, but it has been many, many years that I have been held in the sway of this other false premise – to DO.

I have seen people, like Yo-yo Ma, for example, who seem to have something to do in the world. He gets up every day and plays the cello. He doesn’t change his mind about playing the cello. He doesn’t wake up suddenly one day and decide to play the flute instead. He’s put a lot of time, effort and commitment into this ONE thing. As far as I can see, he really wants to play the cello, all the time! He plays, and many other people enjoy his talent and his passion for music. It seems to be his singular great calling. I have seen other people who decide to become doctors. They complete numerous years of schooling, many more years of internship, and years and years after that of their own practice – and they never seem to change their minds about it. That doctor is purely committed to that ONE thing. So it seems reasonable to think that I, also, should have ONE thing that is purely my thing – my calling – to do in this world.

I have looked for that thing, high and low. Looked and looked, but nothing seemed quite right. I have never felt able to make a solid commitment – to any type of career, or to any particular way of life, or to any one person. Perhaps, it’s more accurate to say that I’ve been commitment phobic. I change my mind regularly, and make frequent psycho switches into vastly contrary fields of work. I have never married or had children. Yes, exactly – those would be FAR too great a commitment! What have I been truly interested in? Spirituality. So, perhaps, I should be a great teacher, or a healer, or a poet, or… well, there must be something God wants me to DO here.

Over the past few days, I’ve been watching a number of David Hoffmeister videos on YouTube. In one, he talks about how the Course in Miracles describes the world. He says that the world was made as an “attack on God.” Yes, I’ve read this in the Course too, but I didn’t believe it. Even a few posts ago, in Whisper the Words I Don’t Want to Tell, I wrote about the Course lesson to “give up the world,” and I expressed that I couldn’t quite believe that one either. David goes on to say, in this video, that it’s the ego’s job to keep us thinking that we’re in the world to DO something. Do, do, do – and maybe someday I’ll DO enough to be worthy. Someday, I’ll be like Yo-yo Ma. Someday, I’ll be like Mother Teresa. Sure, I’ve tried. I’ve tried, at least, 3 billion times. Yet, you know that deep feeling, the one that we all seem to have, but tend to ignore and repress, that there’s something’s fishy going on here? THAT feeling is the one that’s TRUE! Just like George Harrison sings in a song called “Fish on the Sand.” YES, YES, YES, it’s TRUE! Don’t ignore that feeling! David corroborates it in his video: YES, we ARE fish on the sand! God did NOT send me here to DO something. God didn’t SEND me here at ALL. Remember what I wrote in my last post, A Night at the Improv? I DID IT TO MYSELF. I have suffered in this world because I thought there was something I wanted here. I WAS WRONG.

There is, truly, NOTHING in this illusion that I want. I can stop searching now. I can stop endlessly DOing. I don’t have to do something to make myself worthy. I’m worthy of love/truth/God NOW. I don’t have to be a better person, or more self-less, or flagellate myself with guilt. Truth is already whole and I don’t need to make the ego good enough to get it. The ego can’t get it at all, in fact. It would try to possess something that can’t be possessed. Even what I was reading in the Course yesterday was about how the ego keeps trying to find truth in the illusion – but it will always fail. And that’s exactly what my experience of the world has always been: that I’m a failure. Yet, in truth, I’ve failed at NOTHING. I never wanted anything in the illusion anyway.

It’s taken a very long time for this truth to sink in. Like a butterfly, I’ve lightly landed upon these thoughts, only to float away with a breeze of forgetfulness again. This time, maybe, I really got it. Perhaps this time, I fully understand why I can’t commit to anything in the world. It’s because deep down, I KNOW that what I want isn’t out there. I know that if I commit to something in the illusion, I’ll only LOSE everything I really want.

ALL I WANT IS THE TRUTH. Not truth in dribs and drabs. Not inspiration like it’s being squeezed out of a toothpaste tube. I want ALL of truth. The truth that can’t be broken into degrees. Do I want 10% of truth? 50% of truth? I clearly don’t want anything more of the illusion, where everything is a matter of degree. How often have I wanted more time? In that desire, I put truth on hold, and have lost the truth of infinite time. How often have I wanted more square footage? With that desire, I lost the truth of infinite space. How often have I desired peace and freedom, looking first to the world to find them? I suspended real peace and freedom while I searched for them in the wrong place! How often have I desired to DO something within this illusion and so lost the infinity of my true BEING?

Thus, my interest in the world has waned, and then waned some more. It’s been a gradual decline… first, I stopped wanting to go to work and to go out to big social events. Now I’ve stopped wanting to go out for walks in nature, or read my spiritual books, or watch TV. So, I’m losing interest even in enjoyable activity. Some might say I’m becoming depressed or agoraphobic. I’ve been clinically depressed, so I know it’s not that. I doubt it’s agoraphobia. I think I’m just getting what I’ve actually always wanted. All my worldly desires are being packed up and shipped to Never Never Land. I’m about to be totally and perfectly successful! Whew!  Finally!!  Mine eye is single, upon one thing only: TRUTH.

So mote it be. Amen.

________________________________________________________________

If you find this website helpful,
please donate to support my work.

Donate

A Course in Miracles - The Movie

Posted in Failure & Success | Tagged: , , , , , , , , , , , , , , , , , , , , , , | Comments Off

A Night at the Improv

Posted by Amanda Gray on June 8, 2011

Act I

I’ve been on retreat as much as possible this week. On Monday, June 6, I experienced a lot of generalized anxiety throughout the day, although it abated in meditation. As I got into bed that night, I addressed the anxiety. I asked it:

What are you afraid of?

It answered:

I’m afraid of myself.

Hmmm… that didn’t make any sense to me. Perhaps I heard wrong, or asked the wrong question. I tried asking different questions, but I was only getting confused, so I gave up and went to sleep. Around two in the morning, I woke suddenly with the thought:

…because I did it to myself.

Then I understood (speaking as the fear/ego):

I’m afraid of myself because I did this to myself – but I don’t know how I did it and I don’t know how to stop doing it.

I got up, wrote in my diary for a while, and went back to bed.

Act II

In the morning, I woke from a significant dream:

  1. It’s afternoon, and I’m visiting the Varscona Theatre in Edmonton, Alberta. I meet The Improviser Guy and we chat for a bit. Suddenly, he has a big idea and asks if he could use me in his improv skit that evening. I agree. He says that we need a third person, and runs off. He returns shortly with another talented actor, I’ll call him ‘George’, who asks me why we chose him to work with. I tell him enthusiastically, “You were hand picked, baby!”
  2. It’s evening and the actors are gathering at the theatre for the Improv show. I meet The Improv Guy downstairs and sit next to him at a long table. I whisper something in his ear. His wife suddenly comes around the corner. She lunges in, sits down almost on top of me, and asks jealously, “Do you even know who his two favourite teachers from school were?” I genuinely want to assure her that I have no designs, whatsoever, on her husband. I reply, “No, I have no idea. Really, I never listened to a word he said when we went out.” The Improv Guy is completely unconcerned with the interaction between his wife and I.
  3. It’s time for the show, and the actors line up backstage in order of their skits. I stand anxiously with The Improv Guy. It’s been a long time since I’ve done any improv and I’m not sure I’ll be able to do it. I ask The Improv Guy how he wants to start. He says, “Just go onstage and walk around. Walk like you’ve been walking forever. Then I’ll come out.”
  4. There’s a family of guinea pigs backstage. They’re more like guinea ‘teddy bears’. The mom is taking care of her babies, licking them. I pet the mom guinea.

Interpretation:

  1. I’m at the improv. This means that I’m surrendering the idea that I should have some sort of script for my waking life and I’m willing to get involved in the moment-to-moment ‘improvisation’ of the journey again. ‘George’ is someone I did improv with, once upon a time. I had difficulty working with him, and I found myself regularly blocking his suggestions onstage. It was this experience, partially, at least, that led to a loss of confidence in my improv abilities. Ohhh… wait, I remember now… I was also angry with this guy for making me uncomfortable to attend the improv as an audience member. I haven’t attended a Theatre sports show since. So, it’s a forgiveness issue, and that’s why he was ‘hand picked’ for the ‘dream team’. (Sigh… letting that go now.)
  2. I understand that The Improv Guy character represents the ‘Holy Spirit’. The ‘me’ character in the dream is willing to work with him, so it means I’m interested and willing to work with the HS in my waking life. I understand that the wife character represents my ‘Shadow’ or ‘ego’ side. The ‘me’ character doesn’t have any meaningful relationship to the wife, so it indicates that, while I’m not preoccupied with the shadow-ego of my consciousness, I’m still sensitive to its various difficulties. The attitude shown here is one of compassion. In my experience, a dream shadow is usually annoying to the dream ‘me’ character, so it’s curious that this wasn’t the case in this dream. The shadow-wife thinks she loves the HS-husband, but really, she just wants to own and control him. She’s totally terrified of losing him and she immediately jumps to conclusions and projects guilt. It’s my understanding that a dream shadow character generally shows up to indicate aspects of self that have been repressed. So, I gather that there’s a desire to possess the HS and use it for selfish/narcissistic ends – or fears that it could happen. The dream puts the shadow-ego and the HS in a married relationship, which indicates a move in consciousness toward whole being. (The wife asks about ‘teachers’, but I’m not getting any specific understanding about that bit.)
  3. So, here’s the ‘me’, about to go onstage with The Improv Guy-Holy Spirit. I’m completely willing to go forward, even though he’s giving me very little guidance, I’m facing the complete unknown, and I’m worried that I’m not as capable as he thinks I am. I’m willing to face my fear and do it anyway! Gung HO! I’m also willing to play the ‘straight’ role, allowing the HS to swoop in, land all the punch lines, and get all the glory (indeed, as it should be). I’m told to ‘walk like I’ve been walking forever’. Well, that pretty much sums up most of my existence to this point, now, doesn’t it? Ha ha. Funny guy.
  4. About that guinea family… well, it was later discovered to be prophetic. During my day, I visited a pet store and, completely unexpectedly, got to pet some guinea pigs (one that was the exact colour of the one in the dream – reddish-brown) as well as petting a mom cat and her brand new litter of kittens. Awe! (Dreams have a tendency to moosh things together in weird ways.) But, see, that’s the thing with prophetic dreams, at least the ones I have – I don’t know they’re prophetic until the event plays out, and it’s usually rather meaningless anyway. So what’s the point of them? Hmmm… perhaps that’s a good question to pose to spirit.

So that’s an example of the way in which dreams can provide information into the development of conscious awareness. I didn’t make any effort to remember the dream, or to analyze it intellectually, I simply asked the HS to show the meaning to me. I sincerely love the truth and anytime I’m allowed to glimpse it, in whatever way, I’m extremely grateful and happy.

________________________________________________________________

If you find this website helpful,

please donate to support my work.

Donate

MPower Movie

Posted in Spiritual Practice | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments »

Dreaming, Acting, Living

Posted by Amanda Gray on June 5, 2011

The most important point to understand about dreams is that all the characters and symbols are aspects of the dreamer. So when I dream about a boy – it’s me, a teacher – it’s me, a house – it’s me, a bear – it’s me, a jewelled necklace – it’s me, etc. If I cast myself as a jewelled necklace, what does the necklace say about me? Am I a sparkly, diamond necklace, or a dull, unpolished necklace? Did I steal the necklace, or was the necklace given to me as a gift? Every aspect of the necklace may be considered, and what I learn will shine light upon the particular fragment of myself that’s showing up as a jewelled necklace.

Dreams that are most common to me are ones where I’m performing in a theatrical play or in a film, or where I’m participating in an acting class. Sometimes I’m trying on costumes, or I’m auditioning for a part, or I’m observing other actors as they perform. Sometimes, in nightmares, I dream that it’s time to go onstage, and I suddenly realize, in terror, that I haven’t learned my lines and I have no idea what to do!

As I discussed my theatrical dream anxieties with my family this morning, we learned that we all have the same dreams, in slightly different forms. My Aunt dreams that she’s in school, but hasn’t prepared for an exam. My Mom dreams that she’s supposed to cook a meal, but doesn’t have any groceries in the fridge. Does everyone have the same complex? Does everyone harbour fears of the same impending disaster?  What do these dreams say about our lives?

Then I started thinking further about life as a play. Like Shakespeare’s “All the world’s a stage, and all the men and women merely players.” Just as a dream at night is a microcosm of our ‘dream of life,’ so a play on a stage is a microcosm of our ‘play of life.’ I thought about how I’ve often judged the characters in the play of life, including myself, or times when I’ve judged the script, or the playwright (God). Then a number of questions arose in my mind:

  • Do I fear that I don’t know my part or my lines?
  • Am I afraid that it’s my fault that I didn’t study my part in advance?
  • Am I afraid to accept the part that was written for me? Am I afraid I’m unworthy of it?
  • Do I fear that the lead in Hamlet is too much responsibility for me?
  • Am I afraid that I’m unsupported by the other actors?
  • Am I afraid that I’ll make a mistake and ruin the whole play?
  • What if others find out I didn’t study my part? What if I’m a total fool in front of the entire audience?
  • Am I trying to control the play and the other characters?

Two of the most mystical experiences of my life happened when I was performing on stage. The first time, I was performing the lead role of Rose in the play “A Shayna Maidle” in theatre school. It was a short run, only 5 or 6 performances, and I realize now that I made the most mistakes on stage ever during that run. It was my habit to memorize my lines immediately, word for word, and so thoroughly that I rarely, if ever, called for a line during rehearsal. Yet, on the first performance of this show, on preview night in front of an audience of critics, I blanked, and had to call for a line. Since the Stage Manager was no longer ‘on book’ – we all had to wait an extraordinary length of time to get back on track. I was so embarrassed! On another night, I broke a ceramic lamp onstage and neglected to address the problem in the moment, by improvising some other way of turning on the light, or by taking the time to clean up. My acting teacher gave me heck after the show. He said that the audience expected me to ‘live’ in the moment of the play, and that I was cheating them if I ignored the moment, in favour of sticking blindly to the script. The mystical moment was when I had an ‘out of body’ experience – I found myself watching the show from the front row of the audience! I came off stage that night and complained to my teacher, “That was my most horrible performance ever!”

“No,” he said, “It was your BEST performance ever.”

“What? I wasn’t even THERE!”

“Yes, that’s exactly why it was so good.”

The second mystical experience was quite similar to the first. This time I was performing a monologue in a ‘contest’ for actors, models and singers. There was a judging panel and a full audience comprised of performers family members. Now that I think back, I remember that I also performed a song, and that the last note of the song was a horrible disaster. I can’t remember if the song preceded the monologue or vice versa, but never the less, about halfway through my 3-minute monologue, I left my body. I hovered high above myself, to the right side, and I became aware of this amazing energy. The energy was flowing out of ‘me’ toward the audience, and then, I could feel it flowing back to ‘me’ from them. I was fascinated with watching this energy flow back and forth. I remember seeing a lady with glasses sit forward in her seat, listening intently, and I remember looking down at my body, still doing its thing while I sojourned like a balloon in mid-air. Next thing I knew, I was finishing the last line of the monologue. I did as I was taught, to ‘throw and keep throwing,’ and then, I bowed my head and took a small step back. Suddenly, to my unbelieving surprise, the audience exploded with applause, cheers and hoots – more than I’d ever heard in my life! Apparently, when I’m not there – the body is an amazing actor!

Performing allowed complete control and safety. I knew the script, I knew the lines, everyone was going to do exactly what I expected them to do, and we were all going to do it the same way over and over, and over again. Within this perfect bubble of certainty, I didn’t feel afraid and could completely relax. I trusted the time and space inside the bubble, and I think that’s what allowed for those mystical out-of-body experiences.

What would it take for me to trust life in the same way? Must I have the same level of control? Must I have a perfect a script for every word I speak, or every action I perform? Do I have to ensure that everyone else is performing the same script? Must I automatically judge the ‘play of life,’ as it is, as inadequate and in need of my help? Do I have to become the playwright (God) as well as the actor? Yes, that is, exactly, what the ego would try to do.

What would happen if I didn’t judge the production? What if I didn’t have to control the play or the other actors? What if I just TRUSTED the playwright (God)? Even if it seems that I don’t know the play, or the lines, or my role, or every other actor’s role, do I really need to know? What if I could surrender my need to know? What if I allowed myself to drop my idea of the script entirely? What if I drop all the ideas of all the characters I would play? Could I simply improvise? And allow others to improvise? Could I allow the play to be written fresh in each moment?

Just as all the characters and symbols in my nightly dreams are aspects of myself, so all the characters and symbols of the play are aspects of myself. The stage – is me, the audience – is me, the candlestick and the mistletoe – is me, the other actor – is me. Is my fellow actor dressed as a Jesus or as an alcoholic? Do I invite him onto my stage to share the spotlight, or do I banish him off into the darkness of the wings? Could we both play the same part? Could we play the part so well, we stop acting? If we stop acting, could we wake up, entirely, from the play?

________________________________________________________________

If you find this website helpful,
please donate to support my work.

Donate

Shop at Chapters.Indigo.ca for Great Savings!

Posted in Spiritual Practice | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments »

Timing is Everything

Posted by Amanda Gray on June 3, 2011

After a highly compelling conversation with one of my favorite spiritual teachers, Tom Glod, I decided it was time to go back to square one. As much as I’ve studied and practiced, practiced and studied, along my spiritual path, I never truly just dropped everything – every theory, every plan and every self-concept – and committed to spirit alone. I scheduled a silent retreat at home, complete with meditations, a satsang (a spiritual gathering – in this case, with my MP3 player and an Adyashanti retreat recording), some kinhin (walking meditation), several outdoor breaks and three meal times.

So, the day went very well. I stuck to my schedule, and was totally peaceful that night as I went to bed, intending to retreat again the next day.

When I awoke on day two, I began on the right track, but I was no sooner in my meditation chair for the first meditation period, when I decided NOT to do the schedule. After all, the day was going to be broken by a doctor’s appointment anyway. And so, just like that, I jumped up and became entirely engaged with all kinds of planning and self-concepts again. My day was also characterized with a great deal of anxiety, fear of (financial) deficiency and self-doubt.

What the heck happened? The tempter came and blasted me right out of my carefully crafted schedule of peace!

I contemplated the issue on the morning of the third day. Perhaps, during my retreat, I had successfully dropped all self-concepts and, perhaps, touched upon the nothingness of ‘no-self’. Perhaps, I touched upon it, but didn’t, at first, recognize how much it terrified me. So, the next day was the response, enacted by terror all day long. Run, rabbit, run! Hmmm…

Then I listened to a ‘Homework call’ by a spiritual teacher named Jennifer Hadley. She talked about some of her own experiences on the path, about how she was often choosing her judgements and opinions over choosing love. It was just the thing I needed to hear. The right teacher, with the right message, at the right time.

I had thought that the nothingness of no-self was the opposite condition of the ego-self. I could have a ‘this’ – the world of suffering and fear – or a ‘that’ of eternal blank emptiness. Yes, of course, it IS terrifying to drop everything I think I know – for NOTHING! But, I was just believing in another ego illusion – the duality of some-thing and no-thing. This was the ego, getting up inside the nothingness and hiding there! And this was the answer to the ‘hiding myself’ concept that I had been wondering about for quite some time too. (I wrote about it here.) Ultimately, the belief in ‘nothingness’ was based in fear, not in truth.

The truth is LOVE. Just as God is LOVE. I don’t have to choose between a ‘this’ or a ‘that’ – I just have to choose the only thing there really is – LOVE. I’ve been hiding from that choice. Love, itself, is the healer, not books, or theories, or knowledge, or ideas, or words, or anything else in the world I’m attached to. I have to give all those things up and commit to choosing ONE thing – yes, that’s right – LOVE.

The ego can’t hide in the illusion of nothingness anymore. I’ve seen through the lie and it’s completely powerless. I CAN choose love, for myself and everyone. When I forgive, I love. When I recognize everyone, including myself, without the burdens of their ‘problems’, I love. When everyone, including myself, is entirely worthy of unconditional love, it will be there.A Course in Miracles

It was also important to learn that if I’m in a downward spiral of fear and lack, I can still be grateful, because it means spirit is rooting out all my worldly attachments. It’s exposing every little illusion from every nook and cranny. As the junk is exposed, I’m closer to a full alignment with love – with God and all that is. Brilliant!

Thanks, as well, to David Hoffmeister, who was Jennifer’s guest for an online ’Living ACIM’ class, on the previous evening, and who reminded us of this beautiful quote from the Course:

Love cannot be far behind a grateful heart and a thankful mind.

________________________________________________________________

If you find this website helpful,
please donate to support my work.

Donate

Leap! Finale

Posted in Love & Fear | Tagged: , , , , , , , , , , , , , , , , , , , | Comments Off

 
Follow

Get every new post delivered to your Inbox.

Join 301 other followers

%d bloggers like this: